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A Lesson Before Dying
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A Lesson Before Dying
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Based on Ernest J. Gaines’ National Book Critics Circle Award-winning novel, A LESSON BEFORE DYING is set in a small Louisiana Cajun community in the late 1940’s. Jefferson, a young illiterate black...
Based on Ernest J. Gaines’ National Book Critics Circle Award-winning novel, A LESSON BEFORE DYING is set in a small Louisiana Cajun community in the late 1940’s. Jefferson, a young illiterate black...
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  • Based on Ernest J. Gaines’ National Book Critics Circle Award-winning novel, A LESSON BEFORE DYING is set in a small Louisiana Cajun community in the late 1940’s. Jefferson, a young illiterate black man, is falsely convicted of murder and is sentenced to death. Grant Wiggins, the plantation schoolteacher, agrees to talk with the condemned man. The disheartened Wiggins had once harbored dreams of escaping from his impoverished youth, yet he returned to his home town after university, to teach children whose lives seemed as unpromising as Jefferson’s. The two men forge a bond as they come to understand what it means to resist and defy one’s own fate.

Reviews-

  • Publisher's Weekly

    March 1, 1993
    Gaines's first novel in a decade may be his crowning achievement. In this restrained but eloquent narrative, the author of The Autobiography of Miss Jane Pittman again addresses some of the major issues of race and identity in our time. The story of two African American men struggling to attain manhood in a prejudiced society, the tale is set in Bayonne, La. (the fictional community Gaines has used previously) in the late 1940s. It concerns Jefferson, a mentally slow, barely literate young man, who, though an innocent bystander to a shootout between a white store owner and two black robbers, is convicted of murder, and the sophisticated, educated man who comes to his aid. When Jefferson's own attorney claims that executing him would be tantamount to killing a hog, his incensed godmother, Miss Emma, turns to teacher Grant Wiggins, pleading with him to gain access to the jailed youth and help him to face his death by electrocution with dignity. As complex a character as Faulkner's Quentin Compson, Grant feels mingled love, loyalty and hatred for the poor plantation community where he was born and raised. He longs to leave the South and is reluctant to assume the level of leadership and involvement that helping Jefferson would require. Eventually, however, the two men, vastly different in potential yet equally degraded by racism, achieve a relationship that transforms them both. Suspense rises as it becomes clear that the integrity of the entire local black community depends on Jefferson's courage. Though the conclusion is inevitable, Gaines invests the story with emotional power and universal resonance. BOMC and QPB alternates.

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    L.A. Theatre Works
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