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New York Times bestseller!Blade never asked for a life of the rich and famous. In fact, he'd give anything not to be the son of Rutherford Morrison, a washed-up rock star and drug addict with...
New York Times bestseller!Blade never asked for a life of the rich and famous. In fact, he'd give anything not to be the son of Rutherford Morrison, a washed-up rock star and drug addict with...
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  • New York Times bestseller!

    Blade never asked for a life of the rich and famous. In fact, he'd give anything not to be the son of Rutherford Morrison, a washed-up rock star and drug addict with delusions of a comeback. Or to no longer be part of a family known most for lost potential, failure, and tragedy, including the loss of his mother. The one true light is his girlfriend, Chapel, but her parents have forbidden their relationship, assuming Blade will become just like his father.

    In reality, the only thing Blade and Rutherford have in common is the music that lives inside them. And songwriting is all Blade has left after Rutherford, while drunk, crashes his high school graduation speech and effectively rips Chapel away forever. But when a long-held family secret comes to light, the music disappears. In its place is a letter, one that could bring Blade the freedom and love he's been searching for, or leave him feeling even more adrift.

    "A contemporary hero's journey, brilliantly told." —Kirkus Reviews, starred review

    "A rhythmic, impassioned ode to family, identity, and the history of rock and roll." —Booklist, starred review

    "Many readers will identify with Blade's struggle to find his place in a family where he feels like an outsider." —Publishers Weekly

    "The authentic character development and tone will strike a chord with young adults." —School Library Journal

 

Awards-

About the Author-

  • Kwame Alexander is a poet, speaker, educator, and New York Times bestselling author of twenty-four books, including The Crossover, which received the 2015 John Newbery Medal for the Most Distinguished Contribution to American Literature for Children. His other works include the novels He Said, She Said and Booked, as well as his nonfiction debut, The Playbook: 52 Rules to Aim, Shoot, and Score in This Game Called Life. He is the cofounder of LEAP for Ghana, an international literacy program. Visit him at KwameAlexander.com.

Reviews-

  • Publisher's Weekly

    June 12, 2017
    Betrayed by those closest to him and stunned by a family secret, 17-year-old Blade Morrison flees his comfortable but chaotic life as the son of a drug-addicted rock star. Seeking answers and closure, Blade travels to the Ghanaian village of Konko, where he gains new perspective on family and belonging. Writing in free verse, Alexander and Hess, who recently collaborated on Animal Ark, strongly communicate Blade’s frustration and disappointment (“I have taken for granted/ the palm trees of Cali... planted by Spanish missionaries/ in the 18th century.... They don’t belong here./ And neither do I”). Lyrics from Blade’s songs (and interspersed references to songs from Lenny Kravitz, Metallica, and others) emphasize the importance of music in his life, both as a link to his family and as a way to express himself. Blade’s interactions with his father, a Ghanaian young woman named Joy, and a child named Sia are especially poignant, so much so that these secondary characters can draw focus. But many readers will identify with Blade’s struggle to find his place in a family where he feels like an outsider. Ages 13–up. Agent: Arielle Eckstut, Levine Greenberg Rostan.

  • AudioFile Magazine This novel-in-verse, written by Kwame Alexander with Mary Rand Hess, sings with the despair, hope, and love that wash over 17-year-old Blade, a budding musician. Alexander's affection for Blade is obvious through his narration. He wrings every drop of emotion from a poignant story of a teen who is missing his mother, who died years ago, and battling his father, a broken-down rock star who is incapable of staying sober or taking responsibility for anything or anyone. When Blade's girlfriend deserts him and his sister reveals a devastating family secret, Blade leaves for Ghana to discover his true history. Peppered with references to songs by famous rockers like Lenny Kravitz and Stevie Nicks, Blade's own songs--set to music and sung by Randy Preston--are an integral part of this moving audio production. S.G. Winner of AudioFile Earphones Award � AudioFile 2017, Portland, Maine
  • School Library Journal

    August 1, 2017

    Gr 7 Up-Blade Morrison is on shaky ground. The death of his mother years ago still haunts him, and he's continually disappointed by his father Rutherford, a rock legend who has long grappled with drug and alcohol addiction. Rutherford's humiliating behavior at Blade's high school graduation, Blade's older sister Storm's revelation of a devastating family secret, and his girlfriend Chapel's betrayal send the teenager reeling. Looking for answers, he heads to Ghana, where he begins to heal. This novel in verse reverberates with the energy of spoken word poetry. Alexander and Hess have a knack for making ordinary language seem lyrical, and the narrative is conveyed through dialogue, text messages, and news reports as well as through Blade's terse, first-person, present-tense musings. References to rock and roll songs and artists as varied as Lenny Kravitz, Guns N' Roses, and Stevie Nicks give the book an infectious rhythm. Though the writing is at times slightly unpolished, it perfectly captures the teenage voice. Blade is all highs and lows, veering sharply from the intoxicating embrace of first love and lust to feelings of heartbreak and alienation. Some conflicts are wrapped up too neatly and others are forgotten entirely, but the authentic character development and tone will strike a chord with young adults. VERDICT Hand to music lovers, reluctant readers, fans of spoken word poetry, those who appreciate Alexander's work, or anyone seeking a tale of self-discovery.-Mahnaz Dar, School Library Journal

    Copyright 2017 School Library Journal, LLC Used with permission.

  • Kirkus

    Starred review from May 15, 2017
    The 17-year-old son of a troubled rock star is determined to find his own way in life and love.On the verge of adulthood, Blade Morrison wants to leave his father's bad-boy reputation for drug-and-alcohol-induced antics and his sister's edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family's connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess' skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion. A contemporary hero's journey, brilliantly told. (Verse fiction. 14-adult)

    COPYRIGHT(2017) Kirkus Reviews, ALL RIGHTS RESERVED.

  • Media Break Two Starred view from Media Break! The 17-year-old son of a troubled rock star is determined to find his own way in life and love. On the verge of adulthood, Blade Morrison wants to leave his father's bad-boy reputation for drug-and-alcohol–induced antics and his sister's edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family's connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess' skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion. A contemporary hero's journey, brilliantly told. (Verse fiction. 14-adult)

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